This is inspired by Fred Clark's list, but I stay more generic.
1. "Come again, sweet love doth now invite" and "Come away, come, sweet love" by John Dowland, performed by the QuintEssential Sackbut and Cornett Ensemble.
2. "Come againe, sweet Nature's treasure" by Edward Johnson, performed by the QuintEssential Sackbut and Cornett Ensemble.
3. "Come Back, Sweet Papa" by Paul Barbarin and Luis Russell, performed by Louis Armstrong and the Hot Fives.
4. "Dear Sweet Filthy World" by Elvis Costello and the Brodsky Quartet from The Juliet Letters.
5. "If Love's a Sweet Passion" by Henry Purcell, performed by Rolf Smedvig and Michael Murray.
6. "Sweet Air" by David Lang, performed by Sentieri Selvaggi.
7. "Sweet And Lovely" by G. Arnheim-LeMare-Tobias, performed by the Thelonious Monk Quartet.
8. "Sweet Emalina, My Gal" by Henry Creamer and Turner Layton, performed by Art Tatum.
9. "Sweet Georgia Brown" by Ben Bernie, Maceo Pinkard, and Kenneth Casey; performed by (1) Ella Fitzgerald, (2) Bud Powell.
10. "Sweet Lorraine" by Cliff Burwell and Mitchell Parish, performed by (1) Art Tatum, (2) Coleman Hawkins.
11. "Sweet Love, if thou wilt gaine a Monarches glory" by John Wilbye, performed by the QuintEssential Sackbut and Cornett Ensemble.
12. "Sweet Rain" by Mike Gibbs, performed by Stan Getz (on the album of the same name).
13. "There Is Sweet Music Here" by Stephen Chatman, performed by the Lawrence University Concert Choir.
Perceptions about music, perceptions that affect music, perceptions colored by music, perceptions expressed by music.
Showing posts with label David Lang. Show all posts
Showing posts with label David Lang. Show all posts
Friday, July 20, 2007
Friday, June 01, 2007
FriPod: Think of the Children!
1. "Children's Song," Chick Corea on Works.
2. "Children and Art," from Sunday in the Park with George by Steven Sondheim, Original Broadway Cast recording.
3. "For Unto Us a Child is Born," from Messiah by George Handel, performed by Andrew Davis and the Toronto Symphony Orchestra and Toronto Mendelssohn Choir.
4. "Sweet Air," from Child by David Lang, performed by Sentierri Selvaggi.
5. Ancient Voices of Children, by George Crumb, performed by Jan DeGaetani, Machael Dash, and the Contemporary Chamber Ensemble.
6. "Godchild," by George Wallington, performed by Miles Davis on Birth Of The Cool.
7. Kindertotenlieder, by Gustav Mahler, performed by Agnes Baltsa, Lorin Maazel and the Vienna Philharmonic.
8. "Wiegenlied am Lager eines kranken Kindes," by Robert Schumann, performed by Dorothea Röschmann, Ian Bostridge, and Graham Johnson.
9. Kinderszenen, by Robert Schumann, performed by Claudio Arrau.
10. "Jolie Fille," by Joaquin Turina, performed by the Empire Brass.
11. "La Fille aux Cheveux De Lin," by Claude Debussy, performed by the Empire Brass.
12. "Scene Et Legende De La Fille Du Paria," from Lakme by Léo Delibes, performed by Maurice André.
2. "Children and Art," from Sunday in the Park with George by Steven Sondheim, Original Broadway Cast recording.
3. "For Unto Us a Child is Born," from Messiah by George Handel, performed by Andrew Davis and the Toronto Symphony Orchestra and Toronto Mendelssohn Choir.
4. "Sweet Air," from Child by David Lang, performed by Sentierri Selvaggi.
5. Ancient Voices of Children, by George Crumb, performed by Jan DeGaetani, Machael Dash, and the Contemporary Chamber Ensemble.
6. "Godchild," by George Wallington, performed by Miles Davis on Birth Of The Cool.
7. Kindertotenlieder, by Gustav Mahler, performed by Agnes Baltsa, Lorin Maazel and the Vienna Philharmonic.
8. "Wiegenlied am Lager eines kranken Kindes," by Robert Schumann, performed by Dorothea Röschmann, Ian Bostridge, and Graham Johnson.
9. Kinderszenen, by Robert Schumann, performed by Claudio Arrau.
10. "Jolie Fille," by Joaquin Turina, performed by the Empire Brass.
11. "La Fille aux Cheveux De Lin," by Claude Debussy, performed by the Empire Brass.
12. "Scene Et Legende De La Fille Du Paria," from Lakme by Léo Delibes, performed by Maurice André.
Labels:
Chick Corea,
David Lang,
Debussy,
Delibes,
FriPod,
George Crumb,
Handel,
Mahler,
Miles Davis,
Schumann,
Sondheim,
Turina
Wednesday, March 28, 2007
What's happening
The latest WGBH press release announces an interview with John Adams, airing on April 5th at 3pm and streaming at its website. Adams is interviewed by WGBH's Classical Performances host, Richard Knisely.
The eclectic duo The Books will be performing at the New York Society for Ethical Culture* on April 30 at 7:30 pm. $20 admission for the concert in the Wordless Music Series. Paul de Jong plays cello with electric guitarist/vocalist Nick Zammuto, performing all original compositions. The concert opens with another group, Real Quiet. This trio of cello, piano, and percussion doesn't compose its own music, but has commissioned pieces by Annie Gosfield, Phil Kline, and Mark Mellits, with future commissions coming from David Lang, Marc Neikrug, Kaija Saariaho, Huang Ruo, George Tsontakis, Gordon Chin, Yoav Gal, and Jim Thirlwell. I think these small chamber concerts are the way of the future for classical musicians. The small ensembles are more affordable, because they have fewer personnel and travel costs, and can perform in smaller spaces. And by performing in smaller spaces a more intimate connection is made between the musicians and the audience, like in a jazz club. This is why I think we should be having much more chamber music in our music schools, and less emphasis on large ensembles.
*2 West 64th Street, NYC.
The eclectic duo The Books will be performing at the New York Society for Ethical Culture* on April 30 at 7:30 pm. $20 admission for the concert in the Wordless Music Series. Paul de Jong plays cello with electric guitarist/vocalist Nick Zammuto, performing all original compositions. The concert opens with another group, Real Quiet. This trio of cello, piano, and percussion doesn't compose its own music, but has commissioned pieces by Annie Gosfield, Phil Kline, and Mark Mellits, with future commissions coming from David Lang, Marc Neikrug, Kaija Saariaho, Huang Ruo, George Tsontakis, Gordon Chin, Yoav Gal, and Jim Thirlwell. I think these small chamber concerts are the way of the future for classical musicians. The small ensembles are more affordable, because they have fewer personnel and travel costs, and can perform in smaller spaces. And by performing in smaller spaces a more intimate connection is made between the musicians and the audience, like in a jazz club. This is why I think we should be having much more chamber music in our music schools, and less emphasis on large ensembles.
*2 West 64th Street, NYC.
Subscribe to:
Posts (Atom)