1. "Hotel California" written and performed by The Eagles on Eagles Greatest Hits Vol. 2.
2. Three Places in New England - 2. "Putnam's Camp, Redding, Connecticut" by Charles Ives, performed by (a) the Philadelphia Orchestra, and (b) San Francisco Symphony with Michael Tilson Thomas.
3. "Florida Stomp" by Battle, Eldridge, and Hart; performed by Roy Eldridge on Little Jazz.
4. "Georgia Grind" by A. Williams, performed by Louis Armstrong on The Hot Fives & Sevens, Vol. 1.
5. "Georgia on my mind" by Hoagy Carmichael, performed by Ray Charles (twice) on Ray!
6. "Sweet Georgia Brown" by Ben Bernie, Maceo Pinkard, and Kenneth Casey; performed by (a) Bud Powell on Jazz Giant and (b) Ella Fitzgerald on Compact Jazz.
7. "(Back Home Again in) Indiana" by Ballard McDonald and James Hanley, performed by (a) Art Tatum on Solos (1940) and (b) Roy Eldridge, Dizzy Gillespie, and Clark Terry on The Trumpet Kings at Montreux.
8. "The Lost Souls (Of Southern Louisiana)" performed by the Dirty Dozen Brass Band on Open Up (Whatcha Gonna Do For the Rest of Your Life?)
9. "Louisiana/Field Song from Senegal" traditional.
10. "Bright Mississippi" written and performed by Thelonious Monk (quartet) on Monk's Dream.
11. "Stop in Nevada" written and performed by Billy Joel on Piano Man.
12. "New York State of Mind" written and performed by Billy Joel on Turnstiles.
13. "Tennessee Waltz / Tennessee Mazurka" by Redd Stewart & Pee Wee King, performed by The Chieftains with Tom Jones on The Long Black Veil.
14. "Moonlight in Vermont" by John Blackburn and Karl Suessdorf, performed by Ella Fitzgerald and Louis Armstrong on Jazz Masters 24.
15. "I'm Coming Virginia" by Will Marion Cook, performed by Benny Goodman on Live at Carnegie Hall.
16. "Tides of Washington Bridge" by the Clogs on Lantern.
Perceptions about music, perceptions that affect music, perceptions colored by music, perceptions expressed by music.
Showing posts with label Thelonious Monk. Show all posts
Showing posts with label Thelonious Monk. Show all posts
Friday, October 05, 2007
FriPod: States
Labels:
Art Tatum,
Benny Goodman,
Billy Joel,
Bud Powell,
Chieftains,
Clogs,
Dirty Dozen Brass Band,
Eagles,
Ella Fitzgerald,
FriPod,
Ives,
Louis Armstrong,
Ray Charles,
Roy Eldridge,
Thelonious Monk
Friday, July 20, 2007
FriPod: Sweets
This is inspired by Fred Clark's list, but I stay more generic.
1. "Come again, sweet love doth now invite" and "Come away, come, sweet love" by John Dowland, performed by the QuintEssential Sackbut and Cornett Ensemble.
2. "Come againe, sweet Nature's treasure" by Edward Johnson, performed by the QuintEssential Sackbut and Cornett Ensemble.
3. "Come Back, Sweet Papa" by Paul Barbarin and Luis Russell, performed by Louis Armstrong and the Hot Fives.
4. "Dear Sweet Filthy World" by Elvis Costello and the Brodsky Quartet from The Juliet Letters.
5. "If Love's a Sweet Passion" by Henry Purcell, performed by Rolf Smedvig and Michael Murray.
6. "Sweet Air" by David Lang, performed by Sentieri Selvaggi.
7. "Sweet And Lovely" by G. Arnheim-LeMare-Tobias, performed by the Thelonious Monk Quartet.
8. "Sweet Emalina, My Gal" by Henry Creamer and Turner Layton, performed by Art Tatum.
9. "Sweet Georgia Brown" by Ben Bernie, Maceo Pinkard, and Kenneth Casey; performed by (1) Ella Fitzgerald, (2) Bud Powell.
10. "Sweet Lorraine" by Cliff Burwell and Mitchell Parish, performed by (1) Art Tatum, (2) Coleman Hawkins.
11. "Sweet Love, if thou wilt gaine a Monarches glory" by John Wilbye, performed by the QuintEssential Sackbut and Cornett Ensemble.
12. "Sweet Rain" by Mike Gibbs, performed by Stan Getz (on the album of the same name).
13. "There Is Sweet Music Here" by Stephen Chatman, performed by the Lawrence University Concert Choir.
1. "Come again, sweet love doth now invite" and "Come away, come, sweet love" by John Dowland, performed by the QuintEssential Sackbut and Cornett Ensemble.
2. "Come againe, sweet Nature's treasure" by Edward Johnson, performed by the QuintEssential Sackbut and Cornett Ensemble.
3. "Come Back, Sweet Papa" by Paul Barbarin and Luis Russell, performed by Louis Armstrong and the Hot Fives.
4. "Dear Sweet Filthy World" by Elvis Costello and the Brodsky Quartet from The Juliet Letters.
5. "If Love's a Sweet Passion" by Henry Purcell, performed by Rolf Smedvig and Michael Murray.
6. "Sweet Air" by David Lang, performed by Sentieri Selvaggi.
7. "Sweet And Lovely" by G. Arnheim-LeMare-Tobias, performed by the Thelonious Monk Quartet.
8. "Sweet Emalina, My Gal" by Henry Creamer and Turner Layton, performed by Art Tatum.
9. "Sweet Georgia Brown" by Ben Bernie, Maceo Pinkard, and Kenneth Casey; performed by (1) Ella Fitzgerald, (2) Bud Powell.
10. "Sweet Lorraine" by Cliff Burwell and Mitchell Parish, performed by (1) Art Tatum, (2) Coleman Hawkins.
11. "Sweet Love, if thou wilt gaine a Monarches glory" by John Wilbye, performed by the QuintEssential Sackbut and Cornett Ensemble.
12. "Sweet Rain" by Mike Gibbs, performed by Stan Getz (on the album of the same name).
13. "There Is Sweet Music Here" by Stephen Chatman, performed by the Lawrence University Concert Choir.
Labels:
Art Tatum,
Bud Powell,
Coleman Hawkins,
cornetto,
David Lang,
Ella Fitzgerald,
Elvis Costello,
FriPod,
Henry Purcell,
John Dowland,
Lawrence University,
Louis Armstrong,
Stan Getz,
Thelonious Monk
Friday, June 29, 2007
FriPod: Red, White, and Green
No particular reason, I just decided to pick these colors. Viva Italia!
1. "Red and Black" from the Les Miserables original Broadway Cast. By Claude-Michel Schönberg, Alain Boublil, and Herbert Kretzmer. Very spirited, a nice juxtaposition of politics and love, showing the passions that drive both.
2. "Red Clay" by Freddie Hubbard from the eponymous album. A fusion of jazz and Rhythm-n-Blues.
3. "Red Top" by Lional Hampton and Ken Kynard, performed by Erroll Garner. Cool and bouncy at the same time.
4. "The Red Violin" from The Red Violin soundtrack, by John Corigliano, performed by Joshua Bell. Two tracks have the same name, the first is the main melody, and the second is the mini concerto played during the closing credits. It is a beautiful melody, full of very complex emotions.
5. "White as Lillies" by Andreas Scholl, on the Three Countertenors album. Yes, we bought this gimicky CD many years ago. Some of the tracks are quite nice, but I'm not crazy about this composition written by one of the three countertenors. However, my wife likes it, so it stays on the list.
6. "The White Ride" by Howard Shore, on the The Lord Of The Rings: The Two Towers soundtrack. Full of tension, apocalyptic choirs, and Wagnerian brass, this cue suddenly shifts to harps and women's chorale for a sunshine romp briefly before the tension returns. It ends with some grandeur added to the tension, a passionate nostalgia.
7. "The White Tree" by Howard Shore, on the The Lord Of The Rings: The Return Of The King soundtrack. Much more nostalgic, as this cue is for the old and great kings who died off. But still nervous as Gandalf and Pippin ride up and up the layers of Minas Tirith.
8. Fantasia on "Greensleeves" by Ralph Vaughan Williams, performed by Rolf Smedvig and Michael Murray. I love this piece, but I do not like the blend between Smedvig's trumpet and Murray's organ registrations. In general I prefer to listen to organ live rather than in recordings, since I feel a large part of the organ's effect is the architecture of its surroundings.
9. "Green Chimneys" by Thelonious Monk, performed by Wynton Marsalis on Live At The House Of Tribes. A nicely angular march, with an extended solo by Wynton.
1. "Red and Black" from the Les Miserables original Broadway Cast. By Claude-Michel Schönberg, Alain Boublil, and Herbert Kretzmer. Very spirited, a nice juxtaposition of politics and love, showing the passions that drive both.
2. "Red Clay" by Freddie Hubbard from the eponymous album. A fusion of jazz and Rhythm-n-Blues.
3. "Red Top" by Lional Hampton and Ken Kynard, performed by Erroll Garner. Cool and bouncy at the same time.
4. "The Red Violin" from The Red Violin soundtrack, by John Corigliano, performed by Joshua Bell. Two tracks have the same name, the first is the main melody, and the second is the mini concerto played during the closing credits. It is a beautiful melody, full of very complex emotions.
5. "White as Lillies" by Andreas Scholl, on the Three Countertenors album. Yes, we bought this gimicky CD many years ago. Some of the tracks are quite nice, but I'm not crazy about this composition written by one of the three countertenors. However, my wife likes it, so it stays on the list.
6. "The White Ride" by Howard Shore, on the The Lord Of The Rings: The Two Towers soundtrack. Full of tension, apocalyptic choirs, and Wagnerian brass, this cue suddenly shifts to harps and women's chorale for a sunshine romp briefly before the tension returns. It ends with some grandeur added to the tension, a passionate nostalgia.
7. "The White Tree" by Howard Shore, on the The Lord Of The Rings: The Return Of The King soundtrack. Much more nostalgic, as this cue is for the old and great kings who died off. But still nervous as Gandalf and Pippin ride up and up the layers of Minas Tirith.
8. Fantasia on "Greensleeves" by Ralph Vaughan Williams, performed by Rolf Smedvig and Michael Murray. I love this piece, but I do not like the blend between Smedvig's trumpet and Murray's organ registrations. In general I prefer to listen to organ live rather than in recordings, since I feel a large part of the organ's effect is the architecture of its surroundings.
9. "Green Chimneys" by Thelonious Monk, performed by Wynton Marsalis on Live At The House Of Tribes. A nicely angular march, with an extended solo by Wynton.
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