On April 28 UC - Berkeley is hosting a symposium called "Invention and Convention: The Limits of Text and Performance." These papers in musicology look rather interesting:
9:30 Opening Remarks; Bonnie Wade, Chair, Department of Music
9:40-11:00
Mary Hunter (Bowdoin College), "Mozart Opera Productions and History"
Richard Will (University of Viriginia), "Topoi in Performance"
coffee break
11:30-1:00
Gretchen Wheelock (Eastman School of Music), "Vocal Promiscuity in Don Giovanni"
Katherine Bergeron (Brown University), "The Monotone of Sarah Bernhardt: Performing Sincerity in Republican France"
2:30-4:00
Daniel Zager (Eastman School of Music), "'Venerable Relics': Sacred Music of Orlando di Lasso in Nineteenth-Century England"
Donald Burrows (Open University), "Faithfulness to the Text: Has Handel Composed an Aria in Ariodante?"
4:30-6:00
Mary Davidson (emerita, Indiana University), "The Quest for 'Improvement' in 19th-Century American Musical Periodicals"
Graydon Beeks (Pomona College), "Some Thoughts on the Composition of Attilio Ariosti's Cajo Marzio Coriolano"
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