Showing posts with label John Williams. Show all posts
Showing posts with label John Williams. Show all posts

Friday, January 23, 2009

inauguration music

I missed the music before the inauguration proceedings. On the American Musicology Society E-list, Alexandra Amati-Camperi says that the Marines were joined by the San Francisco Boys and Girls Choruses to sing six songs, included a world premiere of a piece by David Conte. This new work, called "An Exhortation," uses words from President Obama's victory speech on November 4th:
America, we have come so far.
We have seen so much.
But there is so much more to do.
Let us ask ourselves:
If our children should live to see
The next century
What progress will we have made?
This is our chance to answer that call.
This is our time
To reaffirm that fundamental truth
That out of many, we are one;
That while we breathe, we hope;
And where we are met with doubt,
We will respond with that timeless creed
That sums up the spirit of a people:
Yes We Can.

I don't know when these performances occurred exactly. I started watching CNN at 11:15, and they were only showing all of the muckity-mucks processing along.

At first I was disappointed to see that John Williams' new piece was an arrangement of the Shaker tune "Simple Gifts." I wished that it would be a completely new piece. But then I started thinking about the many "occasional" pieces that exist in history. Handel stole from himself in writing birthday music for Queen Mary. Johann Schein composed pieces for 'various occasions' that had been 'completed in haste'. People like Mozart, Beethoven, and Brahms composed variations on themes by other composers. So why not have John Williams pick a quintessentially American tune (thanks to Copland) to make a lighter occasional piece. There were some nice gestures in Williams' composition, especially the quiet ending. I wonder if it will have legs, I kind of doubt it.

Back to the American Musicology Society List (AMS-L), another (Canadian!) music historian (Jim Deaville) pointed out that Vincent Persichetti was commissioned to compose a work, Lincoln Address for Nixon's second inauguration. Persichetti set words from Lincoln's second inaugural address, including the reference to the Civil War as a "mighty scourge." The Presidential Inaugural Committee felt this could be interpreted as an allusion to the ongoing Vietnam War, and therefore replaced Lincoln Address with Tchaikovsky's 1812 Overture. So, replacing reference to one war with another war. Ah well.

Monday, January 12, 2009

Inauguration stuff

I'm very excited about the upcoming inauguration.  I just saw an announcement of an opening celebration 2 days before the actual ceremony, to be held at the Lincoln Memorial.  Classical music is represented at this event by Renee Fleming, but what I find quite interesting is that Bishop Gene Robinson will be giving the invocation.  He is the openly-gay Episcopalian Bishop of New Hampshire, whose elevation to the episcopate caused a riot among conservative Anglicans across the world, though mostly in Africa and in the US.  The selection of Robinson++ should calm the fears of many who were concerned about Rick Warren, and apparently I am correct.

At the actual inauguration ceremony, a new piece composed by John Williams will be performed by Itzhak Perlman (violin), Gabriela Montero (piano), Anthony McGill (clarinet) and Yo-Yo Ma (cello).  They will play between the oaths of Biden and Obama, so a very prominent spot.  I wish someone other than John Williams had been picked to compose the work, I'm afraid it will be rather Olympic in nature.  But then, his music in the film Munich was very interesting, so maybe I'm selling him short.

Friday, January 11, 2008

FriPod: Babies

I realized the other day that "baby" returned a good number of songs on my iTunes.  Hence this FriPod.

1.  "The Arrival of Baby Harry" by John Williams, on Harry Potter and the Sorcerer's Stone soundtrack.  Starts with a creepy/magical celesta sound, followed by swirling strings.  Now the english horn introduces more strings with bell towers, some wordless chorus, all anticipatory of the arrival.  Ah, now Harry's theme comes in, that's the arrival we've been waiting for.  The second part is happier, but very brief.  Harry has a hard life ahead.

2.  "Baby, Don't Tell on Me" by Lester Young, Count Basie, and Jimmy Rushing; performed by the Count Basie Orchestra on The Essential Count Basie, Volume 1.  Nice muted trumpet solo for this blues.  Jimmy sings, apparently on his criminal activities that his lover shouldn't squeal about.

3.  "Babyface" by U2 on Zooropa.  Interesting fusion of Bono's lower register with someone (Bono?) singing falsetto an octave higher.  

4.  "Didn't Leave Nobody But the Baby", traditional tune arranged by Gillian Welch and T Bone Burnett, sung by Emmylou Harris, Alison Krauss and Gillian Welch on the O Brother, Where Art Thou? soundtrack.  Beautiful three-part harmony with a haunting bowed saw (or theremin?) and a guitar that seems off on its own world.

5.  "I Found a New Baby" by J. Palmer and S. Williams, performed by the Benny Goodman Sextet on Charlie Christian: Genius of Electric Guitar.  One of the first integrated jazz combos, this showcases Charlie's great blues feel.  The piano and Benny trade comical little licks, very flighty.

6.  "I'm Crazy 'bout my Baby" by Fats Waller, performed by Fats Waller with Ted Lewis & his orchestra, on Jazz: The Singers 1930s.  Fortunately, Fats' baby is crazy about him as well, since Cupid is their teacher.

7.  "I'm Nobody's Baby" by Ager, Davis, and Santly; performed by Mildred Bailey & her orchestra, on Little Jazz.  A great trumpet solo by Roy Eldridge, such a fat yet mellow sound.  And his bends seem like trombone glissandi, they are so clear.

8.  "There Goes My Baby" by Nelson, Patterson, and Treadwell, performed by The Drifters on The Best of the Drifters.  Heavily produced, with strings and strong reverb on the drums and voices to give a very spacial feel.  In the fourth verse producers Mike Stoller and Jerry Leiber put a cello line that they claim resembles Rimsky-Korsakov.  

9.  "Hush Little Baby" traditional melody, performed by Yo-Yo Ma and Bobby McFerrin on Hush.  Very upbeat, not a lullaby.  

10.  "When My Baby Smiles at Me" by Bill Munro and Harry von Tilzer, performed by Benny Goodman on Live at Carnegie Hall.  A great little number (50 seconds), it sounds like a cross between Dixieland and klezmer.  

Wednesday, October 31, 2007

WedPod: Halloween

Special Halloween edition of FriPod (the kids were a witch and a pirate, had a great time trick-or-treating). Go back and read the witch's Halloween story again. For this playlist I skipped the Dies Irae's and Funeral music that others have included, sticking with monsters.

1) "In the Devil's Snare and the Flying Keys" by John Williams on the Harry Potter and the Sorcerer's Stone soundtrack.

2) "The Devil's Dance" and "The Devil's Triumphant March" from L'Histoire du Soldat by Stravinsky, performed by Gerard Schwarz and the Los Angeles Chamber Orchestra. Amazon MP3, Amazon MP3.

3) "The Magic of Halloween" by John Williams on the E.T. the Extra-Terrestrial soundtrack.

4) The Noon Witch by Antonin Dvorak, performed by Seiji Ozawa and the Wiener Philharmoniker.

5) "The Witch, Baba Yaga" from Fairy Tale Characters by Oleg Oblov, performed by the Aries Brass Quintet.

6) "Zombie" by the Cranberries on No Need to Argue. Amazon MP3.

7) "Ghost Dance" from Ancient Voices of Children by George Crumb, performed by Jan DeGaetani, Machael Dash, the Contemporary Chamber Ensemble. Amazon MP3.

8) "(I don't stand a) Ghost of a Chance" by Victor Young, performed by Clifford Brown on Jazz 'Round Midnight.

9) Triskelion (Andante (with a ghostly quality)) by Bruce Adolphe, performed by the American Brass Quintet. Amazon MP3.

10) "The Superstitious Ghost" by Fred Himebaugh.

11) The Six Realms (1999-2000) For Amplified Cello And Orchestra: 3. The Hungry Ghost Realm, by Peter Lieberson, performed by Michaela Fukacova, Odense Symphony Orchestra, Justin Brown.

Friday, October 19, 2007

FriPod: Beginnings and Endings

1. "Begin the Beguine" by Cole Porter, performed by Art Tatum. Amazon MP3.
2. "The Beginning of a Friendship" by John Williams, from the E.T. The Extra-Terrestrial soundtrack.
3. "New Beginning" written and performed by Tracy Chapman on New Beginning. Amazon CD.
4. "Out Where the Blue Begins" by Graff, McHugh, and Grant; performed by Henry "Red" Allen And His Orchestra.
5. "End Credits" by John Williams, from the E.T. The Extra-Terrestrial soundtrack.
6. "The End of a Love Affair" by E.C. Redding, performed by Wynton Marsalis on Popular Songs: The Best Of Wynton Marsalis. Amazon MP3 of Kenny Dorham Quartet version.
7. "The End of All Things" by Howard Shore on the Lord of the Rings - The Return of the King soundtrack.
8. "End Titles" by John Corigliano on the Red Violin soundtrack.
9. "Endless Parade" by Harrison Birtwistle, performed by Hakan Hardenberger.
10. "Lands End" performed by Clifford Brown on Jazz 'Round Midnight. Amazon MP3.
11. Quartet for the End of Time by Olivier Messiaen, performed by (a) New York Philomusica Chamber Ensemble, (b) Chamber Music Northwest. Amazon MP3 of movement 5, my favorite.

Friday, September 28, 2007

FriPod: Be the Beginning

1. "BE JUST!" by Martin Bresnick, performed by the Bang on a Can All-Stars on The Essential Martin Bresnick.

2. "Be with you" written and performed by U2, a cool live version with guest artists (including a choir!) joining in.

3. "Beatam Me Dicent a 6" by Heinrich Finck, performed by the Copenhagen Cornetto & Sackbutts with Vocal Group Ars Nova on Winds and Voices 1: at the Court of King Christian III.

4. Beatrice et Benedicte: Overture by Hector Berlioz, performed by Yuri Temirkanov and the Royal Philharmonic Orchestra.

5. "Beats Brand X" by Alex Temple, 12 March 2007 performance.

6. "Beautiful" by Steven Sondheim, performed by Bernadette Peters the actress who plays George's mother on Sunday in the Park with George original Broadway cast.

7. "The Beautiful Galathea" by Franz von Suppé, performed by the John Foster Black Dyke Mills Band on Overtures.

8. "Before I Gaze At You Again" by Frederick Loewe, performed by Arleen Augér on Arleen Auger, American Soprano.

9. "Begin The Beguine" by Cole Porter, performed by Art Tatum on Solos (1940).

10. "The Beginning of a Friendship" by John Williams, on the E.T. The Extra-Terrestrial - Remastered & Expanded soundtrack.

Friday, August 03, 2007

FriPod: Alone and Separate

I've got my reasons.

1. "I Don't Want To Be Alone" by Billy Joel on Glass Houses.
2. "Creatures of Pan appear and frighten the pirates, who flee in terror, leaving Chloé alone with a shining crown" from Daphnis et Chloé by Maurice Ravel, performed by Charles Munch, Conductor / Boston Symphony Orchestra / Robert Shaw, Director / New England Conservatory Chorus And Alumni Chorus.
3. "Alone Together" by Dietz and Schwartz, performed by Dinah Washington on Dinah Jams!
4. "Alone" from The Mission soundtrack by Ennio Morricone.
5. "Eating Alone" from the Shrek soundtrack by Harry Gregson-Williams & John Powell.
6. "Far from home / E.T. alone" from the E.T. The Extra-Terrestrial - Remastered & Expanded soundtrack by John Williams.
7. "Separate Lives" by Stephen Bishop, performed by Phil Collins on Serious Hits...Live!

Friday, June 22, 2007

FriPod: Hello, Goodbye

1. "Hello Babe," by Dickie Wells, performed by Lester Young on Classic Tenors. A good hello, cheery and bouncy with a little grit to the sound that suggests ulterior motives for the babe.

2. "Hello Dolly," by Jerry Herman, performed by Louis Armstrong on All-Time Greatest Hits. I love the chunky banjo that introduces this song. How the hell does Satchmo get that shimmer in such a gravelly voice?

3. "Escape / Chase / Saying Goodbye" by John Williams, on the E.T. the Extra-Terrestrial soundtrack (expanded version).

4. "Everytime We Say Goodbye," by Cole Porter, performed by John Coltrane on My Favorite Things. So suave and smooth, a little sad.

5. "Goodbye Stevie," by Steve Winwood, performed by The Spencer Davis Group on The Best Of The Spencer Davis Group. Stevie wrote this to honor his leaving the group to go solo.

6. "Mama's Gone – Goodbye," by Peter Bocage, performed by Midge Williams & Her Jazz Jesters.

7. "Say Goodbye To Hollywood," by Billy Joel on Turnstiles. A little too over orchestrated.

8. "Saying Goodbye To Those You So Love," by James Horner on the A Beautiful Mind soundtrack.

Friday, May 18, 2007

FriPod: The Zoo

Today we took a bunch of seven year-olds to a birthday party at the zoo, because we are totally insane. It actually went very well, especially as it was done after regular zoo hours in a special zoo program that involved dinner and meeting some animals up close. We all got to pet a chincilla, a pygmy hedgehog (very cute!), a ferret, and a nine-banded armadillo named Leonard. This list is for you, guys.

1. " Zooropa," by U2, from Zooropa. Message: commercialism is ridiculous. Interesting layering effects.
2. "Visit the Zoo and Letters from Hogwarts," by John Williams, from the Harry Potter and the Sorceror's Stone soundtrack. This is when Harry performs his first magic, making the glass disappear from the snake's cage and then talking to the snake. Thus we get lots of magical sounding motives, a little scary but mostly in amazement. Then we cue in the celeste for the Letters segment. Lots of swirly strings for the owls delivering more and more letters.
3. "Old Yazoo," Fats Waller/Andy Razaf, performed by the Bowell Sisters. I love this old recording. "If you don't like beans and rice, get some rice and beans."
4. "A Little Duet for Zoot and Chet," Jack Montrose, performed by Chet Baker on Chet Baker With Strings. Naturally, this is also with Zoot Sims, a nice bit of counterpoint with minimal cheesy strings compared to the rest of this album. Chet's solo sounds much like Clifford Brown, though with a simpler timbre that is more consistent through all the register.
5. Animal Ditties, by Anthony Plog, performed by the Summit Brass. This eight movement work was originally for trumpet, narrator, and piano. Plog arranged it for brass choir with the narrator reciting the poems by Ogden Nash. Turtle, Porpoise, Python, Dog, Ant, Centipede, Rhinoceros, and Mule.

Friday, March 30, 2007

FriPod: Hit to Hope

1. "Hit the Road Jack" - Percy Mayfield, performed by Ray Charles on Ray! A relationship breaks up, because the man is no good. Clearly part of his problem is that he doesn't listen.

2. Hoc Largire, a 6 - Anonymous, performed by Copenhagen Cornetts & Sackbutts with Ars Nova. This is the fourth verse of O Quam Glorifica: O Father of all lights, through this sacred Flame/give unto us thy only Begotten Son,/who with Thee reigns brilliantly in the heavens,/ruling and governing for all ages./Amen. Very peaceful, yet with a certain trepidation.

3. "Hoedown!" - by Bobby McFerrin, performed by Bobby with Yo Yo Ma on Hush. This piece doesn't start out sounding like a hoedown, but the middle section is stereotypical. It seems to poke fun at this culture, with the simplistic and highly repetitive nature of this middle section. No understandable lyrics in this piece, but I'm inclined to not approve of this stance.

4. "Hogwarts Forever and the Moving Stairs" - John Williams on Harry Potter and the Sorceror's Stone. Sounds like a brass quintet arrangement rather than a typical orchestral soundtrack score. I wonder if this is available for quintets to purchase? The second half is more typical, evoking the spookiness of Voldemort's theme.

5. "Hold On My Heart" - Genesis on We Can't Dance. Yes, I own CDs of Phil Collins and Genesis, holdovers from my high school days in the 80s. It is truly painful to listen to most of these tracks now.

6. "Holde Gattin, dir zur Seite" from The Creation - Haydn, performed by John Eliot Gardiner and the English Baroque Soloists. Very classical operatic, a love duet for Adam and Eve.

7. "Homecoming Hymn" - from the Lawrence University Jazz Ensemble's New Stories. This CD was cut when I was a junior at Lawrence. The particular track is a combo piece, based on a theme that is a pared down version of "Joyful, joyful we adore thee." It has a great sax solo by Doug Schneider.

8. "Honesty" - Billy Joel on 52nd Street. "Honesty, is hardly ever heard, and mostly what I need from you." Preach it, Billy.

9. "Honeysuckle Rose" - Fats Waller, performed by Benny Goodman on Live at Carnegie Hall.

10. "Hooker's Hooker" - Marvin Hamlisch on The Sting soundtrack. Think "The Stripper."

11. "Hope and Memory" - Howard Shore on The Lord of the Rings - Return of the King. I love this one.

12. "Hope Fails" - also from LOTR-ROTK. I don't like ending on this track. Previous tracks are much more hopeful, even Billy's plea for honesty. He at least hopes for honesty, whereas hope is lost here.