Temperamental Piano

Via Jonathan Bellman, here is a video on a new design of piano that allows the performer to adjust the tuning of each string with the use of sliders. Jonathan talks about the ability to change temperaments for his beloved Chopin. I can see possibilities in performing works by Gann, Young, and others who experiment with new scales. Or microtonal compositions. Or perhaps adding vibrato to a piano sound. I have some problems with the timbre of the piano itself, it sounds very tinny to me. It could be from the quality of the video, or the addition of the horizontal harp to the piano (see 2:20 of the video) which could vibrate sympathetically to strengthen the upper partials of the sounds. I'd like to hear the sliding system on a standard-sounding piano, one that doesn't attempt to sound like an Indian instrument. Here are some views about the hammer design that may have created this different sound.

The Fluid Piano will get its debut on Saturday at the University of Surrey, featuring composer/pianists Matthew Bourne, Nikki Yeoh and Pam Chowhan, and works by the inventor, Geoff Smith.

Walk with the Instruments, Talk with the Instruments

There is plenty of debate on whether music is a language. But there is no debate that this friggin' piano is talking!



Actually, there was debate about this on the Auditory e-list, which prompted this article on sine-wave speech and this raw demo. Want to try it yourself? Here is a program that will convert any WAV file to a MIDI file, so go ahead and record yourself saying something, then convert it to a MIDI file to be played back with the sampled instrument of your choice.

You've got a keyboard for radio

WGBH has shared the story of how they purchased a new piano for their performance studio:

A radio host, a classical pianist, and a highly trained instrument technician walk into an inconspicuous New York City warehouse, which just happens to be chock-full of prized Hamburg Steinway pianos, and begin taking one apart...

This was the scene when a small but remarkable faction of Boston's robust classical music set piled into a rental van and headed south to New York City. Their mission? To find the musical equivalent of a needle in a haystack: the perfect piano for WGBH 89.7's brand new state-of-the art performance studio. It had to be versatile: one that would sound dazzling to live audiences in the studio, brilliant when broadcast, and impeccable when recorded; an instrument that over the next decade and a half will be played by some of the world's finest musicians and heard by literally millions of people from Brighton, Masachusetts to Brighton, England.

It was no small task. In tow were WGBH 89.7 Program Director Jon Solins, WGBH 89.7 Classical hosts Cathy Fuller and Richard Knisely, BSO piano guru Jon von Rohr, and two renowned local pianists: Marc-André Hamelin and Mihae Lee. From Von Rohr's a-hoc tutorial in the van to the moment when the final decision was made over a platter of kung pao chicken, it was a fascinating day.

They eventually settled on a Hamburg Steinway that the musicians described like this:

"From my first experience playing this piano, I was immediately drawn in to its robust sound and broad spectrum of color. These are the qualities that I always seek in a piano, but it is rare to find an instrument that contains such a range from raw power and brilliant clarity to exquisite delicacy and shadings as this piano has. I can't wait to play it as it is reaching its full potential in your beautiful new studio.
-- Mihae Lee, pianist

"As I played it, it acted as an extension of my heart and fingers. There were no barriers between what I imagined and what I could play. This is the highest praise I can give any piano."
-- Marc-André Hamelin, pianist

Last week the piano arrived at our new studios in Brighton, Massachusetts. You can see pictures of the warehouse, the piano, and its arrival in our new sudios on our flickr page.