“So Much TO Say: Dave Matthews Band 20 Years On the Road”,
Nikki Van Noy
This is the newest popular book about DMB, published in
2011. It is organized in ten chapters,
plus an introduction and discography.
This book is intended to represent the views of the diehard fans who
follow the band from venue to venue each summer. Each historical event is accompanied by quotes
from fans who were there, practically one quote for every paragraph. The
writing reflects this intention, as the author is also a huge fan who can’t
keep from gushing at every opportunity. The
first chapter, “An Evening Spent Dancing,” begins at the last show of the
band’s twentieth year of existence. This
show is used as a template to provide an overview of the band’s history, with a
heavy emphasis on the grassroots nature of their success. There is a sense of ownership, that the fans
discovered and influenced DMB. “…what
makes the DMB fans so unique is that they have actually played an integral role
in the trajectory of the band from day one.
In so many ways, DMB fans are just as much a part of the story and
history of this band as the musicians themselves.” (p. 9)
Chapters Two, “Getting Started” and Three, “The Little Red
Van” cover the origins of the band. Van
Noy focuses on Charlottesville, Virginia, painting a picture of the artistic
environment there in the late ‘80s that encouraged musicians to
collaborate. There is a very brief
description of Dave Matthews’ upbringing, with no mention of his early musical
experiences before he came to Charlottesville
in 1986. There are many quotes
from local music critics and some of Dave’s earliest music friends, like Mark
Roebuck. Very rarely is the music itself
described, beyond a general “acoustically-driven folk-rock style of music.” (p.
22) “[t]ypical of the quintessential DMB
sound, with its distinct acoustic guitar, driving rhythm, bellowing sax, and
full-band crescendo, all underlying whimsical yet introspective lyrics.” (p.
25) There is a big effort to describe
the scene, the feel of the audience itself, such as the tradition of taping
shows and trading tapes.
The studio albums are discussed in the next chapters. “For Dave, it was important there was a
delineation between the live show recordings that already existed in abundance
and the band’s first major label studio effort.” (p. 60) “Together, Dave and Tim [Reynolds] laid down
dual tracks for Under the Table, resulting
in a full acoustic ound that not only immediately set DMB apart from the vast
majority of its musical counterparts of the time but also went a long way
toward re-creating DMB’s bold live energy in recorded form.” Now that Van Noy is talking about the actual
music, several discrepancies and clumsy phrases come out. In efforts to describe the diversity of
musical styles of the album (which is true), Van Noy conflates rhythmic
patterns with stylistic feel, emotion with orchestration. There are connections between these features,
but in the same way as apples and asparagus.
Yes, apples and asparagus both start with a, are foods, and nourish
us. But it is hard to talk in one
instance about the tartness of a Gala apple, and contrast that with the
mushiness of overcooked asparagus. Van
Noy also makes the mistake of implying that the lyrics of the songs on Under the Table and Dreaming were
written after Dave’s sister Anne was murdered.
The album is dedicated to her, but the lyrics were set well before the
tragedy in January of 1994.
Inserted between chapters are minibiographies of fans,
tracing their lives in their connections to the band. At the middle of the book are sixteen pages
of color photographs of the band, fans, and famous performance venues. The pictures are mostly credited to relatives
of the author, as well as Weekly
Davespeak. The book ends with the
most recent tours, up to the “break” of 2011, and has a discography up to 2010.
If you want to get a feeling for the attitudes and passions
of the DMB fan community without going to a concert or wading through the
forums at antsmarching.com or dancingnancies.com, this book will help you. But if you are looking for a clear history of
the band and descriptions of the music, there are better choices.
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