tag:blogger.com,1999:blog-6980672.post110242968215313777..comments2023-10-08T08:38:09.714-04:00Comments on Musical Perceptions: They are big, they are large, they are huge, Giant Steps!Scotthttp://www.blogger.com/profile/01286095156825716887noreply@blogger.comBlogger3125tag:blogger.com,1999:blog-6980672.post-1138744840835305452006-01-31T17:00:00.000-05:002006-01-31T17:00:00.000-05:00Have you seen this? Somebody animated a music vid...Have you seen this? Somebody animated a music video to Giant Steps. I think it's pretty neat:<BR/>http://michalevy.com/gs_download.html<BR/>-vinnyAnonymousnoreply@blogger.comtag:blogger.com,1999:blog-6980672.post-1137426069336623252006-01-16T10:41:00.000-05:002006-01-16T10:41:00.000-05:00Fido, thanks for the correction. I don't know how...Fido, thanks for the correction. I don't know how I made that mistake, as both my Real Book and the Flash version have B as the first chord. So to fix that paragraph, the connection from B to D7 would be B-A, D#-D, F#-F#. This is almost a chromatic mediant relationship, except for the change from triad to seventh chords. It still works as a parsimonious voice leading.Scotthttps://www.blogger.com/profile/01286095156825716887noreply@blogger.comtag:blogger.com,1999:blog-6980672.post-1137403560788791342006-01-16T04:26:00.000-05:002006-01-16T04:26:00.000-05:00I know Coltrane changes and I know "Giant Steps." ...I know Coltrane changes and I know "Giant Steps." The Real Book version has the changes right. I've seen different transcriptions of the note values, but not the changes. (I don't have flash installed on this machine so I can't comment on the presentation.)<BR/><BR/>So in your third paragraph, I don't agree with your changes. I go B D G Bb Eb. I suppose if you want to anticipate you can go c# F# into B, but the B is there, and I take that as one.Fido the Yakhttps://www.blogger.com/profile/04068567345146364385noreply@blogger.com