I'm linking to
AKMA for the first time in the body of a post, in a clear effort to get my wife into
Seabury-Western next year. But seriously, AKMA has a great post about
authenticity in musical performance. I think I agree, though "authenticity" can also be a technical term to describe efforts in replicating performance practices from the time period of the composition. It can still be misleading to suggest that these period performances are more authentic than those on modern instruments with modern techniques, but it has entered the jargon for better or worse.
You can't play the blues on a guitar which has never been in a pawn shop.
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